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The fact that it suddenly appears in seven sources throughout Europe around 1515, all originating a long way from where Josquin was, might suggest a considerably earlier date of composition. Sanctus - [02:54] 05. If you are a member of an institution with an active account, you may be able to access content in one of the following ways: Typically, access is provided across an institutional network to a range of IP addresses. The Missa Pange lingua is regarded as one of Josquin's last works due to its omission from Ottaviano Petrucci's three Josquin mass volumes, particularly the final one published in 1514. 6 Most likely his last mass, it is an extended fantasia on the Pange Lingua hymn, and is one of Josquin's most famous mass settings. 6 - In other Hosannas (Ave maris stella, Malheur me bat) he swopped between them quickly, or even had them both going at the same time; but here the sections are substantial and demarked. The elegant motto openings of each major movement stem from the hymn's first phrase. pp. Everyone agrees that it is a late work, quite possibly Josquin's last mass, and in many ways his finest. 4 Josquin Desprez: Messes - Pange lingua; De beata Virgine, Josquin des Prs: Missa Pange Lingua; Missa La Sol Fa Re Mi, Josquin Desprez: Missa Pange Lingua & Motets, Musica Sacra: Sacred Music through the Ages, The Great History of Belgian and Dutch Classical Music, Josquin: Missa Pange Lingua; Allegri: Missa Vidi turbam magnam. Choose this option to get remote access when outside your institution. This mass is based on the hymn Pange Lingua Gloriosi Corporis Mysterium by Thomas Aquinas (ca.1225-1274). J. Peter Burkholder: "Borrowing"; Honey Meconi, "Pierre de La Rue"; Grove Music Online, ed. 10 The Gramophone magazine Record of the Year in 1987, the first time an independent label won this prestigious award. (-) - !N/!N/!N - 117 - MP3 - Stenov, 4. *#575455 - 0.08MB, 9 pp. 2 6 PANGE LINGUA- (Latin to english translation) Mario Creado 2.2K subscribers Subscribe 5.2K Share Save 645K views 10 years ago Pange Lingua Gloriosi Corporis Mysterium is a hymn written by St. Missa Pange lingua (Josquin) - from CDH55374 - Hyperion Records - MP3 and Lossless downloads Welcome to Hyperion Records, an independent British classical label devoted to presenting high-quality recordings of music of all styles and from all periods from the twelfth century to the twenty-first. *#203161 - 0.00MB - 2:12 - 10 [1] As a specific example of early 16th-century He pioneered chanson and motet b. Josquin's Missa Pange lingua is composed on material derived from the melody to which, from the 13th century onwards, Thomas of Aquinas's adaptation of a hymn by Venantius Fortunatus may have been most frequently sung. Benedictus - [05:04] . The madrigal, An Approach to both in its performance with solo _ . 4 8 4 2 As an additional introduction to this style of setting, the editorial underlay of the Ordinary texts (which sometimes deviates from the setting's edition in the New Josquin Edition) may demonstrate the way in which the composer generated his inspiration. In the Gloria, for example, at the text "Qui tollis peccata mundi," Josquin thins out the texture to a severe canon, which stands out from the preceding moments. The preferred date of composition has been after 1514, which was the year of Petruccis last book of Josquins masses, where it doesnt appear. Sanctus / 5. (-) - !N/!N/!N - 221 - MID - Reccmo, Gloria 4 10 The effect is curiously cathartic, as though the listener, having been "teased" throughout, is finally allowed to enjoy the 8 6 This is the kind of simplicity that can inspire a composer who has tried it all. 0.0/10 Its free-flowing polyphony, less rigorously canonic than that of his earlier works, is supple, expressive and extraordinarily beautiful, and contributes to a sonority that's unusually rich and luminous. Apart from several copying errors, its reading offers both resolved and newly added ligatures and quite a host of rhythmic substitutions, which for the most part have little impact on the placement of text. Some societies use Oxford Academic personal accounts to provide access to their members. 6 Traduzioni in contesto per "alla Missa" in italiano-inglese da Reverso Context: Qui, Beethoven ha lavorato, tra le altre, alla Missa solemnis. Composer: Josquin Title: "Kyrie" from "Missa Pange Lingua" Date: 1514 Period: Renaissance Genre: Mass Rhythm, meter, and texture: Varied, flowing rhythms, in line with how Renaissance music favored varying rhythmic independence for the melodic lines. [2], By the beginning of the 16th century, it was becoming more common to use the paraphrased tune in all voices of a polyphonic texture. 8 - Included also is an overview of Josquins Masses, with focus on his final Massthe Missa Pange lingua, composed sometime after 1515 but not published until 1539, after Josquins death. Indeed, during this period, it was the favored method of using Gregorian chants to construct masses.[6]. In addition, this phrase is echoed in many subtle ways. Since the style of the composition points to a rather late work by Josquin, singing of the mass may have been restricted for a period to the church of Cond. You do not currently have access to this chapter. 6 The Hosanna is also extraordinary, with its deliberate change from duple to triple time. Take a look at this works in the Online Art Guide. A personal account can be used to get email alerts, save searches, purchase content, and activate subscriptions. Josquin des Prez's masses are works of towering genius, notable for the purity and expressiveness of their musical language. *#203160 - 0.01MB,? *#622065 - 0.20MB, 3 pp. *#575453 - 0.06MB, 6 pp. "[9], Rather than being a summation of his previous techniques, as can be seen in the last works of Guillaume Dufay, Josquin's mass synthesizes several contrapuntal trends from the late 15th and early 16th centuries into a new kind of style, one which was to become the predominant compositional manner of the Franco-Flemish composers in the first half of the 16th century. 0.0/10 10 - After Pange lingua he finally turned away from this genre and began to concentrate on smaller forms in more than four voices. *#572204 - 6.51MB - 7:06 - 6 8 Josquins nameless mass is his second entirely canonic setting and shows the fruits of his experience in mathematical writing. 10 Gloria III. Download and print in PDF or MIDI free sheet music for Missa Pange Lingua by Josquin des Prez arranged by saintandr for Tenor, Bass voice, Baritone, Voice (other) (Men's Choir) Browse Learn. - lacks Agnus Dei II; jumps from Agnus Dei I to Agnus Dei III. He composed fluently and well in every contemporary genre of music, sacred and secular. 8 6 we would all be a bit more comfortable if you could just skip all the classical crap and go straight to opeth, which is where music truly begins. 2, ed. Gloria Last edited on 15 February 2021, at 04:12, https://en.wikipedia.org/w/index.php?title=Paraphrase_mass&oldid=1006852821. The texture is mostly homophonic, with occasional moments of polyphony. 0.0/10 2 Therefore it looks as if the 'Alamire' scriptorium first obtained a copy of the mass in which the rather highly demanding settings for two soloists were replaced by other settings, and only somewhat later obtained a fair copy of Josquin's original version. He composed fluently and well in every contemporary genre of music, sacred and secular. Everyone agrees that it is a late work, quite possibly Josquins last mass, and in many ways his finest. Shibboleth / Open Athens technology is used to provide single sign-on between your institutions website and Oxford Academic. "Peter Phillips absolutely lives this music and with The Tallis Scholars you get clarity of texture, exquisite phrasing and a luminosity of tone . The melody is sung in Latin . Anastassia Rakitianskaia (2019/6/3), 4 more: II. The more open sonority this gives is detectable, especially in transposition. Although including a number of editorial reworkings, the reading in Toledo, Biblioteca Capitular, MS B.16, copied 1542 in Toledo, may be a later descendent of the Roman tradition as transmitted in VatS16. Siegbert Rampe: Preface to "Froberger, New Edition of the Complete Works I", Kassel etc. May 21st, 2020 - xavier frias conde al borde del nilo pange lingua h 8 minutos elis mais uma de dieta acid reflux and weight loss h 14 minutos jenni gama sp hora do reeo full text of memoria del estado actual de la parroquia de April 20th, 2020 - full text of memoria del estado actual de la parroquia de concepcin villanueva formada por . Josquin's fame during his lifetime was such that many works were attributed to him that weren't his, making posterity's effort to assess his stature somewhat more difficult. 2 Scholars, judging by stylistic criteria and by the fact that this mass does not appear in Petrucci's third volume of Josquin's masses (published in 1514), generally concur in placing it late in his oeuvre. 4 (-) - !N/!N/!N - 132 - MP3 - Stenov, 6. Willem Elders, NJE 4 (Utrecht: Koninklijke Vereniging voor Nederlandse 2 Several movements, such as the Kyrie and Agnus Dei III which frame the cycle, derive their entire cadential and formal structure from the phrases of the hymn. 2 6 Manuscript 1523in D-Ju MS 21, no. Instruments: A cappella. [4] The mass is the last of only four that Josquin based on plainsong (the others are the Missa Gaudeamus, a relatively early work, the Missa Ave maris stella, and the Missa de Beata Virgine; all of them involve, in some way, praise of the Virgin Mary). 0.0/10 [2] Famous copyist Pierre Alamire included it at the beginning of one of his two compilations of masses by Josquin. 4 In this respect the very unsatisfying underlay of text in the Sanctus and the Agnus dei as transmitted by the 'Alamire' manuscripts may point to some earlier copying in haste. The third Agnus Dei is one of those crowning glory movements, summing up what has gone before, though this time Josquin did his summing without canon. 10 10 Subscriptions are available to libraries. 8 8 Start Free Trial Upload Log in. 8 [8] Several passages in homophony are striking, and no more so than the setting of "et incarnatus est" in the Credo: here the text, "he became incarnate by the Holy Ghost from the Virgin Mary" is set to the complete melody from the original hymn which contains the words "Sing, O my tongue, of the mystery of the divine body. - *#203158 - 0.01MB,? 0.0/10 A generation before him, the music of Dufay presented developing ideals of equal-voiced polyphony and of large-scale formal balance; later, Ockeghem exploited more of the imitative style and rhythmic intensity. Last edited on 11 February 2023, at 00:44, Choral Public Domain Library (ChoralWiki), https://en.wikipedia.org/w/index.php?title=Missa_Pange_lingua&oldid=1138682524. L. Macy (Accessed March 25, 2007), Gustave Reese (biography) and Jeremy Noble (works), "Josquin Desprez," Howard Mayer Brown, "Mass", in. 0.0/10 2 ctesibius (2009/12/4), Kyrie 4 In VienNB 4809 most of the under-third cadences are suppressed, and several unpractical rhythmic substitutions as well as other unique readings have been introduced. *#575454 - 0.10MB, 9 pp. Josquin des Prez' Missa Pange lingua (c. 1520) is a famous example; Palestrina also used the method extensively, second only to parody technique. Free shipping for many products! Winter Sale: 65% OFF 03 d: 12 h: 01 m: 21 s. View offer. 8 Contextual translation of "missa pange lingua" into English. XML score data: Kyrie, Gloria, Credo, Sanctus, Agnus dei. Josquin Desprez has enjoyed the highest esteem both of his contemporaries (Martin Luther called him the "Master of the Notes"), and of music historians since his day. Palestrina used paraphrase technique in 31 of his masses, second only to parody, which he used in 51. The Missa Pange lingua is a musical setting of the Ordinary of the Mass by Franco-Flemish composer Josquin des Prez, probably dating from around 1515, near the end of his life. 0.0/10 But in Josquin (and his close contemporary Obrecht) the so-called "Netherlandish" style of the High Renaissance reached an early plateau. Switch back to classic skin, Creative Commons Attribution-NonCommercial-NoDerivs 4.0, Creative Commons Attribution Non-commercial Share Alike 3.0, Creative Commons Attribution-NonCommercial 4.0, http://imslp.org/index.php?title=Missa_Pange_lingua,_NJE_4.3_(Josquin_Desprez)&oldid=3443377, Pages with commercial recordings (BnF collection), Creative Commons Attribution-ShareAlike 4.0 License. 2 - (-)- C*/V*/V* - 14202 - ctesibius, PDF scanned by ctesibius Credo In this respect the added editorial ficta in the score, as related to this particular aspect, is primarily meant as a stimulant for personal investigation. (-)- !N/!N/!N - 476 - Michrond, PDF typeset by arranger 8 This difference really does help to define this piecein all the other masses, even the late ones, these parts peak on the same note or within a note of each other. 6 If you see Sign in through society site in the sign in pane within a journal: If you do not have a society account or have forgotten your username or password, please contact your society. (-) - !N/!N/!N - 116 - MP3 - Stenov, Kyrie - Christe - Kyrie - Josquin Desprez - Pange lingua Mass, Gloria . 8 10 These recordings are also available on the specially priced double album <hyperion:link album="CDGIM206">The Tallis Scholars sing Josquin</hyperion:link>. basis of melodic lines and points of imitation, Cambrai, Bibliothque municipale, Impr. The most famous example from the early 16th century, and one of the most famous paraphrase masses ever composed, was the Missa pange lingua by Josquin des Prez, which is an extended fantasia on the Pange Lingua hymn for Corpus Christi by Thomas Aquinas. Some of these readings were copied in manuscripts produced in Josquin's lifetime or shortly thereafter; their provenance as well as their readings of the Missa Pange lingua offer a unique insight into the way Josquin's setting may have been transmitted throughout Europe in the first half of the 16th century. Society member access to a journal is achieved in one of the following ways: Many societies offer single sign-on between the society website and Oxford Academic. - Individual melodies with occasional marked cadences. 0.0/10 hide caption. (-)- !N/!N/!N - 218 - Anastassia Rakitianskaia, Complete Score Through this approach, in imitation in all voices, these clear-cut melodies clearly affirm what has just been stated. 10 This openness of scoring is unhindered by strict canon or clever mathematics of any kind. In many of Josquins mass-settings the musical development culminates in the final movementnot unlike a Romantic symphony: the Agnus Dei of Missa Malheur me bat is a magnificent example and one of the greatest tours de force in the repertoire. - (-)- !N/!N/!N - 495 - Agarvin, PDF typeset by editor 2 7 2nd published: 1546 Nrnberg: Hans Ott Michrond (2012/5/12), 5 more: Trumpet 1 Trumpet 2 Trombone Bass trombone Engraving files (Finale), Trumpet 1 *#203159 - 0.09MB, 7 pp. 4 (-)- !N/!N/!N - 124 - Agarvin, Complete Parts (transposed down a 5th) *#622066 - 0.02MB,? 10. Includes the 'Pangue lingua' hymn as an appendix. Towards cadences between two or more voices in imitation, the leading voice may approach the close of its line with a short improvisation on a foregoing melodic element, or by a subtle embellishment that not infrequently functions as exclamation sign. When on the society site, please use the credentials provided by that society. The Kyrie of Mass in G Major begins with a lovely, meditative fugue - a real "throw-back" movement, drawing on the contrapuntal tradition of the . Read Ivan Moody's portrait of the ensemble and their journey with Josquin. Most likely his last mass, it is an extended fantasia on the Pange Lingua hymn, and is one of Josquin's most famous mass settings. Josquin wrote 18 mass settings during his lifetime and created a unique compositional method and sound world for each of them. Missa Pange Lingua By Josquin des Prez (1440-1521) - Book [Softcover] Sheet Music for Choral - Buy print music HL.14026186 | Sheet Music Plus. *#218224 - 0.02MB - 2:38 - 10 8 Musical paraphrase, in general, had been used for a long time before it was first applied to the music of the Ordinary of the Mass. - The middle parts still constantly overlap, but although they both have the same lowest note, there is a crucial difference of a third in their top notes. Like most musical settings of the mass Ordinary, it is in five parts: Most of the movements begin with literal quotations from the Pange lingua hymn, but the entire tune does not appear until near the end, in the last section of the Agnus Dei, when the superius (the highest voice) sings it in its entirety, in long notes, as though Josquin were switching back to the cantus-firmus style of the middle 15th century. Nonetheless, apart possibly from Mater Patris, we are still referring to Josquins last mass, written when he was over 60. For example, Josquin inserts echoes consisting of small intervals, using vocal imitation manifested through the plangent half-step. Jan van Eyck, The Ghent Altar (1432, detail) artinflanders.be (photo: Hugo Maertens, Dominique Provost). The theological message of the chant on which the mass is based is driven home by a remarkable "flowering" of the chant melody in the final section of the Agnus Dei. Missa Pange lingua It is probably Josquin's last mass settingbut it is definitely one of his best With the Missa Pange lingua we finally come to a setting which has united rather than divided its commentators. 10 4 10 XVI-71/73. 8 4 While he was working at the court of Ferrara, Italy, Josquin wrote an entire mass setting based on the name of his employer, Duke Ercole I. Based on a substantial chant melody, it deploys mathematics in a number of clever, but rewardingly audible ways. Apart from the absence of the original 'Pleni sunt celi,' the 'Benedictus' and the second Agnus dei sections, BrusBR IV.922 has no particular errors, but includes 8 unique readings: three melodic variants, one rhythmic substitution, two unique ligatures and two variant cadence formulas. For these sections, text may have been added later by copyists from the scriptorium. Find many great new & used options and get the best deals for The Tallis Scholars : Missa Pange LinguaMissa La Sol Fa Re Mi CD at the best online prices at eBay! *#572202 - 2.55MB - 2:47 - It was not formally published until 1539 by Hans Ott in Nuremberg, although manuscript sources dating from Josquin's lifetime contain the work. 4 2 Analyses of the variant readings of the mass in BrusBR IV.922 against JenaU 21, VatS16 and MunBS 510 (see Table 1) seem to underline that transmission's isolated position. 6 Choral Journal is a benefit of membership in the American Choral Directors Association. The form which contains a burden is what? In the Missa pange lingua, all voices carry variants of the hymn, with the beginnings of successive phrases marking points of imitation in the mass. "1 Equally distant from Josquin's original intentions is the reading of the Mass in the mid-16th-century MS Milan, Bibl. 6 4 Music 1. After that only a few phrases of the hymn are heard in the Gloria, Credo and Sanctus, though the entire melody is quoted in Agnus III. Take a look. Credo - [06:45] 04. 2 The ineffable motion of the spirit which results from our auditory experience connects us to this masterpiece across time. A CATHOLIC MASS FOR A MEDIEVAL CULT. (-) - !N/!N/!N - 127 - MID - Michrond, MID file (audio/video) 0.0/10 41, the Jupiter Symphony. This item is part of a JSTOR Collection. The institutional subscription may not cover the content that you are trying to access. Human translations with examples: MyMemory, World's Largest Translation Memory. View your signed in personal account and access account management features. *#622063 - 0.06MB, 2 pp. When the Council of Trent prohibited the use of secular songs as sources for masses in 1562, a large corpus of music was no longer available to composers who had been ransacking it for parodies; those composers who followed the Council's dictates often returned to using monophonic hymns and plainsong, sources which suggested the paraphrase technique. - Gloria Album Rating: 5.0This is a hard piece to write about because in a lot of ways it feels like the apex of his abilities without doing any one thing especially incredibly, but I gave it the ol' college try anyhow. Many compositions in fauxbourdon, a characteristic technique of the Burgundian School, use a paraphrased version of a plainchant tune in the highest voice. Their readings also include additional editorial reworkings. *#218222 - 0.02MB, 2 pp. [1] It was not available to Ottaviano Petrucci for his 1514 collection of Josquin's masses, the third and last of the set; additionally, the mass contains references to other late works such as the Missa de Beata Virgine and the Missa Sine nomine. 10 Bach's Cantata no. Select your institution from the list provided, which will take you to your institution's website to sign in. - Derived from a hymn called pange lingua. The way in which he took a plainchant hymn (written by Thomas Aquinas for the feast of Corpus Christi) and divided its six short phrases so straightforwardly among all four voice-parts had profound repercussions for later Renaissance music throughout Europe. Ludwig Bhme & Kammerchor Josquin des Prez - Josquin Desprz: Missa Pange Lingua (2011) 17-01-2019, 04:08 Artist: Ludwig Bhme & Kammerchor Josquin des Prez Title: Josquin Desprz: Missa Pange Lingua Year Of Release: 2011 Genre: Classical Quality: FLAC (image + .cue, log, scans) Total Size: 249 MB Page visited 40,180 times Powered by MediaWiki General Information Title: Missa Pange lingua Composer: Francisco Lpez Capillas Lyricist: Number of voices: 6vv Voicing: SSATBB Genre: Sacred , Mass Language: Latin Instruments: A cappella First published: Description: Based on the more hispano version of the Pange lingua chant External websites: With these basic elements, the composer weaves a web of astonishing refinement, in which every melodic and rhythmic element has its place. [4], Later in the 16th century, paraphrase remained a common technique for construction of masses, although it was employed far less frequently than was parody technique. Josquin wrote two entirely canonic massesAd fugam, the earlier one, may be his most rigid and mathematically dense composition. History. pp. When on the institution site, please use the credentials provided by your institution. - One late mass, probably composed around 1514, is the four-voice Missa Pange Lingua, based on the plainchant hymn for the Feast of Corpus Christi. And the texture shifts instantly to a contrasting and introspective affect upon the cry "miserere nobis." In these works, the source hymns are often presented in a condensed form. All voices are given equal weight, and the score achieves a motivic unity which was a significant change from previous practice. Credo 4. 10 There are also frequent ornamental sections which follow ending cadences. Founded in 1959, the American Choral Directors Association (ACDA) is a nonprofit music-education organization whose central purpose is to promote excellence in choral music through performance, composition, publication, research, and teaching. 2 6 This group of sources from the 'Alamire' scriptorium clearly demonstrates that Josquin himself was not directly involved in the dissemination of his mass by way of the 'Alamire' scriptorium. 8 4 By choosing a model so brief and versatile, Josquin opened up a completely new world of musical referencing. The reading of the mass transmitted in the choirbook Munich, Bayerische Staatsbibliothek, Musiksammlung, Musica MS 510, possibly copied in Augsburg or Munich around 1513-1519, seems to confirm this picture. "Missa Pange Lingua" is a choral piece composed by Josquin des Prez, a prominent composer of the Renaissance period. Josquin's moments of greatest compositional reserve, such as the stillness of "Et incarnatus est," or the bare canonic structure which opens the Benedictus, do not represent emotional withdrawal, but rather a greater serenity, on the one hand, and a feeling of expectancy, on the other. Do not use an Oxford Academic personal account. The early Missa Lami Baudichon shows the young composer at the beginning of his career, exploring what he could do with the form. These partbooks were in the possession of cardinal Giulio de' Medici. 0.0/10 Rhythm. It is probably Josquins last mass settingbut it definitely is one of his best: the way Missa Pange lingua realizes a democratic conversation between all four voice parts had profound repercussions for later Renaissance music throughout Europe. This page was last edited on 11 February 2023, at 00:44. Find many great new & used options and get the best deals for CDGIM009 JOSQUIN DES PRS Missa Pange Lingua Missa La Sol Fa Re Mi CD Europ at the best online prices at eBay! A prominent biographer confidently calls this the "last Mass composed by Desprez," but no contemporary data can reliably date it. 140 is a more easily recognized cantus firmus work, a chorale cantata. The slow abandonment of the chant as a starting point for the middle movements is unique. 8 Its reading is in remarkable agreement with that in VatS16, but shares variant readings with JenaU 21 as well. What genre is Missa Pange Lingua? In addition, Josquin pioneered the techniques of word-painting that played an important role in the music of the late Renaissance. 2 - Kyrie - [06:32] 02. 2 Some societies use Oxford Academic personal accounts to provide access to their members. However, numerous copies of the Mass existed during and shortly after Josquins lifetime. Gloria 3. After Pange lingua Josquin finally turned away from the genre and began to concentrate on smaller forms. (-)- !N/!N/!N - 12195 - Pgfeller, PDF typeset by editor Its free-flowing polyphony, less rigorously canonic than that of his earlier works, is supple, expressive and extraordinarily beautiful, and contributes to a sonority that's unusually rich and luminous. (-)- !N/!N/!N - 134 - Michrond, Engraving files (Finale) *#218223 - 0.32MB,? Genre: Sacred,Mass, Languages: Greek, Latin Notes 10 It is distinguished from the other types of mass composition, including cyclic mass, parody, canon, soggetto cavato, free composition, and mixtures of these techniques. The analysis portion of the chapter discusses Josquins imitative technique, extensive use of ostinatos, and paraphrase of Gregorian chant. 14452, f. 243r-v (Gradual Michrond (2012/5/12), Complete Score In general the Phrygian mode of the setting does not allow strict melodic imitation at the fifth below the final. In Renaissance music, composers used cadences and contrasts of texture to make the musical structure of a composition clear. Title: Missa Pange Lingua Given the quality of these unique readings, most of them may be the result of some performing practice outside the composer's control. (-)- !N/!N/!N - 5019 - Reccmo, Engraving files (MusiXTeX) This isolated Roman transmission of the mass suggests that only in the second decade of the 16th century did a copy of Josquin's mass become known in circles directly related to the Vatican. 4 Oxford University Press is a department of the University of Oxford. With the Missa Pange lingua we finally come to a setting which has united rather than divided its commentators. Download and print in PDF or MIDI free sheet music for Missa Pange Lingua by Josquin des Prez arranged by mdg for Soprano, Alto, Tenor, Bass voice (Choral) Browse. XVI C 4. 0.0/10 1-5 First published: 1539 in Missae tredecim quatuor vocum (Hans Ott), no. [3] - The Missa Pange lingua is a musical setting of the Ordinary of the Mass by Franco-Flemish composer Josquin des Prez, probably dating from around 1515, near the end of his life. 10 (-)- !N/!N/!N - 163 - Michrond, Trumpet 2 [7], Josquin uses imitation frequently in the mass, and also pairs voices; indeed there are many passages with only two voices singing, providing contrast to the fuller textures surrounding them. Moreover, a number of unique variant readings have been introduced.