Beyond studying box patterns, you can also work on one-octave minor blues scales to open up your fretboard. Work this line as written, then take this concept to your own solos as you repeat ideas to solidify them in your playing. Each 7th chord gets its own major blues scale. The blues scale is a 6-note scale that contains 5 notes from the major or minor pentatonic scales plus one chromatic note. Why learning more than one scale pattern is beneficial. Here, you bend up from the 2nd note to the b3, the blues note in the major blues scale, as well as repeat the line in both bars. The main goal is to be able to create solos such as this one in the moment, but if that’s tough at this point, writing them out is fine. This is a common blues soloing technique, and one you can use to extend your ideas, as you don’t need two full ideas for two bars. Because it’s such a popular lick across genres, it’s first in this chapter, and is essential to learn and add to your solos. Here’s how to play the C Major blue scale in the open position. Here you repeat a hammer-pull off phrase to start the lick, followed by a descending group of notes to end the line. The cool, swing, chicken picken’, jump blues sound that this scale produces makes a solid addition to the repertoire of any modern guitarist. In this section, you learn how to build and apply the minor blues scale, how to play it on the fretboard, and give you three licks to apply this scale to a soloing situation. The blues scale, whether it’s major or minor, is one of the most widely used scales in modern music. It contains 12-bars and different chord progressions, but most contain I, IV, and V chords in various arrangements. As well, you connect the 5th and 3rd-string minor blues shapes to expand them on the guitar. Here, you have to play A major blues over the A7 chord, then D major blues over D7, and E major blues over E7. The minor blues scale is built by adding a b5 interval to the minor pentatonic scale, forming the pattern 1-b3-4-b5-5-b7. Here are those shapes to learn in 12 keys. For the major blues scale, the “blues note” is the b3, the note that gives the major pentatonic a bluesy flavor. Here are the 5 CAGED positions for the C Major blues scale (notes and tabs). For a complete lesson on the Major Blues Scale, read this lesson.. But, repeating ideas in your solos helps establish a connection with the listener, as well as develops a sense of melodic phrasing in your solos. They can be used in a plethora of soloing situations, and both bring a different melodic sound to your lead guitar playing. If you want to use the major blues scale over the blues, it’s a whole different story. Read on for a complete blues scale guitar lesson… What you’ll learn. You have a love-hate relationship with these scales, but they’re always there for you when you need them. Over time you find that some boxes will stay in your playing and others you won’t use as much. Major and Minor Blues Scales – Guitar Tab and Essential Licks. Check them out and see how these essential melodic devices fit into your lead guitar vocabulary. The 12-bar blues is a musical form that is the basis for countless blues, country, rock, and other songs. Home; Music Theory; Diatonic. These two scales provide years of study if you dig into their various fingerings, applications, and melodic variations. Often you feel like everything you play has to be new and different than what you played before. Minor and major blues scales are also the first scales that guitarists learn when exploring lead guitar. The minor blues scale is built with the following interval pattern: Because this six-note scale contains a b7, it’s used to solo over dominant and minor family chords. You can even use it over major family chords if you’re careful. The blues scale, whether it’s major or minor, is one of the most widely used scales in modern music. The first line is a major blues scale phrase that you hear in jazz, blues, country, swing, and other musical genres. As a reminder, these licks are only played over one chord at a time, compared to every chord in a blues with the minor blues scale. Keep that in mind as you nail this, and all future licks in this eBook. You’re now ready to move on to the major blues scale in your studies. When building these shapes, you combine two one-octave shapes to form longer major blues fingerings. Outside of the 5 box patterns there are one octave, two-octave shifting, and 3-note-per-string shapes that guitarists also learn when studying the blues scale. If you only learn one minor blues scale lick, this is it. In those kinds of songs, larger scales will only hold you back, whereas smaller shapes are perfect to hit those chords in your lead guitar lines. C Major Blues Scale on the Guitar – 5 CAGED Positions, Tabs and Theory. The line then ends with a slide up to the same note as you finished with in the first bar, A. This page includes notation/tabs and scale diagrams for each position along the fretboard. Now that you know how to build this scale, and how to apply it to chords, it’s time to take that knowledge to the fretboard. Matt Warnock Guitar Start by playing A major blues over A7, then the A minor blues scale over the other chords. After you learn any or all of these box patterns, put on a blues backing track and apply this scale to one, two, then finally all three chords in your solos. This is perfectly fine, explore them all, and then decide which shapes are best for you and your musical tastes. Then, if you want to play that lick over C7, you have to move it to a C major blues scale position. The first item on your list is to understand the theory behind this important six-note scale. 2 Octave C Major Scale Guitar TABs. This scale is used to solo over just about any chord or key including major keys, minor keys, major chords, minor chords, blues progressions, and more. If you learn only one major blues scale lick, this is it. The minor blues scale has a lot to offer when you dig deep into this scale on the fretboard. To open new minor blues scale doors, or start you off on your blues scale journey, this section tackles this important scale from new angles. After you’ve worked out these shapes from a technical standpoint, make sure that you put on a backing track and apply these shapes to your improvisational studies as well. When playing blues licks of any kind, the rhythm is as important, or more important, than the notes. Both of these concepts help you develop a mature sense of melody and phrasing with this, or any, scale in your solos. When doing so, you connect the 6th and 4th-string minor blues shapes to form a larger scale shape. After you’ve checked out one-octave major blues shapes, you can now connect them to form two-octave scales. You’ll need to change the position of your fretting hand when you reach the top string in order to reach the highest notes of the scale. You now combine the scale fingerings and lines from this lesson in a blues guitar solo. Here are those minor blues scale box patterns to learn in all 12 keys on the fretboard. The above scale can be extended into a 2 octave scale, as shown in the TAB below. After you learn these minor blues box patterns, put on a backing track and use these scales to solo over chords and chord progressions in your studies. You can now connect the one-octave shapes to form two-octave scales on the fretboard.
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