F: For instance, F diminished: …produces the G dom7b9 chord: The octatonic scale is not among the traditional scales we covered previously, consequently, it is mostly used by classical, jazz, and advanced gospel musicians. F: …while the F# diminished seventh chord: The octatonic scale can be formed by alternating between whole steps and half steps. …and four diminished major seventh chords…. The D# diminished major seventh chord: octatonic scale, Take em’ for a spin and see what they sound like. Here are pictures and notes of the Octatonic scales. In the octatonic whole-half, a whole step comes before a half step, while in the octatonic … D# diminished seventh chord: The octatonic scale from B, shown as four replications of a <1-2> interval generator, outlining the successive minor thirds of the diminished seventh chord. whole-half diminished scale, { 2 comments… read them below or add one }. “Here’s How To Harmonize The C Octatonic Whole-Half Scale”. The Octatonic Scale consists, as the name implies, of eight notes. Take em’ for a spin and see what they sound like. An octatonic scale is also used as a term that describe a scale with eight notes in it. Keep up the goo work. C: E: So for example: E G Bb and C# can all be minor arpeggios. They can also all be dim7th arpeggios. Whole step from G is A: …half step from D# is E: F# diminished seventh chord: diminished major seventh, Submission: The strict spellings of diminished seventh and diminished seventh chords were not used. However, we’ll be focusing on the harmonization of the octatonic whole-half scale. …while the D diminished seventh chord: Very interesting, but it would be much more useful with the stuff written out in the usual way on staves. It is the beta chord with one interval diminished: C♯, E, G, A, C♮. Bb octatonic whole half scale: In a previous lesson, we covered the formation of four diminished chords using the octatonic scale. …over G: The A diminished major seventh chord: C octatonic whole half scale: Nothing much was heard of the octatonic scale until the nineteenth and twentieth centuries where it was used extensively. Who Else Wants To Learn About The Augmented Scale? …harmonizes A: There are also four diminished seventh chords…, C diminished seventh chord: Honoré Langlé's 1797 harmony treatise contains a sequential progression with a descending octatonic bass, supporting harmonies that use all and only the notes of an octatonic scale (Langlé 1797, 72, ex. Octatonic (Half Whole) Scales . Now, using this scale you have a rich pallet of major and minor chords, so chord progressions such as this become available: Cm, Am, Ebm, F#m In another post, we’ll learn other ways of harmonizing the octatonic scale and how to play outside using the harmonization of the octatonic scale. Consequently, the octatonic scale is said to be symmetrical because it can be divided into equal and identical parts. sitions involving more than just the octatonic and diatonic scales. Improvise melodies on that pentatonic scale. So, we’ll be harmonizing it in its descending form starting from the C diminished major seventh: The C diminished major seventh chord: The numbers of the names indicate all that is needed to identify a particular octatonic scale: two consecutive notes within the scale. Half step from D is Eb: Whole step from Eb is F: This is your best way to learn the scale, and to get familiar with it on your instrument (or voice). In 1800, Beethoven composed his Piano Sonata No. A diminished major seventh chord: Now, both of these scales can be harmonized. Ab: The chords in a progression are represented by roman numerals and are determined by key. …while the A diminished seventh chord: …to breakdown this harmonization. A closer look at the C octatonic whole half scale shows four diminished triads…, C diminished triad: I recently carried out an analysis of both modes of the scale and found many more chords. The harmonization of the octatonic scale sounds amazing in the descending direction. Joe, Previous post: An Easier Way To Play Extended Chords Using The Upper Structure Voicing Technique, Next post: You Can Hardly Play Three Hymns Without The Chromatic Supertonic Chord. The F# diminished major seventh chord: Consequently, the octatonic scale is said to be symmetrical because it can be divided into equal and identical parts. F# diminished triad: A whole step from C: B octatonic whole half scale: The octatonic whole-half scale is also known as the auxiliary diminished scale and is one of the scales that produces the diminished chord. Play a few different songs/pieces and you will see that there are various different ways in which composers order chords. If you move up in minor 3rds you can play those chords as minor chords also. …is D: F# octatonic whole half scale: D# diminished major seventh chord: F#: D# diminished triad: If you start from the 2nd note of any Octatonic scale you can play a minor chord. I just can’t be bothered with pictures. There are two known variants of the octatonic scale; the octatonic whole-half and the octatonic half-whole. The following two tabs change content below. An Easier Way To Play Extended Chords Using The Upper Structure Voicing Technique, You Can Hardly Play Three Hymns Without The Chromatic Supertonic Chord, Proven: It Takes Only 5 Major Chords To Harmonize The Major Scale In Three Related Keys. That’s basically how you can harmonize the octatonic scale. F octatonic whole half scale: Half step from G# is A: …harmonizes F: So for example: E G Bb and C# can all be minor arpeggios. …the C octatonic whole half is formed by an alternation of whole steps and half steps until the octave is reached. …harmonizes F#: G: …harmonizes G#: From Beach House to Beethoven, chord progressions determine how a piece of music unfolds over time. …harmonizes C: There are two known variants of the octatonic scale; the octatonic whole-half and the octatonic half-whole. G#: We’ll be using the C octatonic whole-half scale: It is a knowledge of these chords that can help you to harmonize the octatonic scale. info)) (Honti 2007, 305). But good that you made the effort to put this online. Pretty damn cool if you ask me. Whole step from Bb is C: Chord progressions are series of two or more chords used in a piece of music. F# diminished major seventh chord: Half step from A is Bb: Thus, Oct 0, 2 is the octatonic with the notes C and D in it. 11 in B ♭, Op. See, there are 8 pitches in this scale (not including the doubled C) hence the name "octotonic". Whole step from F# is G#: Who Else Needs Extra Help On Third Intervals? Sweep Picking. The reason why we’re using diminished chords in the harmonization of the octatonic scale is because the octatonic scale has a diminished outline. Remember to try lower shapes for verse, and move them higher for chorus ideas. …harmonizes B: Pretty damn cool if you ask me. …on the bass is a creative way of improvising over the Gdom7b9 chord. Ab octatonic whole half scale: So altogether the C octatonic scale whole-half scale: In a nutshell, the octatonic scale is basically an eight-tone scale. Whole step from A is B: Bb: Altogether, here’s the C octatonic half whole scale: Onyemachi "Onye" Chuku (aka - "Dr. Pokey") is a Nigerian musicologist, pianist, and author. the formation of four diminished chords using the octatonic scale, Ask Dr. Pokey: “What Is The Main Purpose Of Chord Inversions?” (Part 1). The term octatonic can be broken down into oct and tonic. Whenever I Hear A Minor Chord, Here Are The Three Basic Things That Come To My Mind, Facts: You May NEVER Master The Number System Until You Do These Top Three Things, Beginners: How To Play “He Has Made Me Glad” In The Key Of F Major, Four Diminished Chords You Can Form From The Octatonic Scale, The Octatonic Scale: Eight Tones Per Octave, Another Smart Way To Understand Diminished Seventh Chords, The Relationship Between The Diminished Seventh And The Half-Diminished Seventh Chord. D: C# octatonic whole half scale: …a half step from C is C#: Great introduction to harmonising the Octatonic scale. The Harmonization Of The Octatonic Scale, Regards 22. They can also all be dim7th arpeggios. 25.2). A diminished triad: “Let’s also take a look at the octatonic half-whole scale.”, From C: Sweep Picking. Figure 1. If you start from the 2nd note of any Octatonic scale you can play a minor chord. In a C diminished major seventh chord: The cor anglais melody from "Nuages," the first movement of, Two diminished seventh chords in the octatonic scale (one red, one blue) may be rearranged as the alpha chord, A beta chord on C♯, with two reduced versions, harv error: no target: CITEREFClement2009 (, List of pieces which use the octatonic scale, Herbie Hancock: Freedom Jazz Dance Transcription, Principles of pitch organization in Bartók's Duke Bluebeard's Castle, https://en.wikipedia.org/w/index.php?title=Octatonic_scale&oldid=981403749, Use Harvard referencing from February 2020, Wikipedia articles needing page number citations from December 2014, All articles that may contain original research, Articles that may contain original research from April 2015, Articles with unsourced statements from April 2020, Articles with incomplete citations from April 2020, Articles with failed verification from April 2019, Articles with unsourced statements from December 2018, Wikipedia articles needing clarification from May 2020, Articles with incomplete citations from December 2014, Vague or ambiguous geographic scope from December 2014, Wikipedia articles needing page number citations from August 2017, Articles with incomplete citations from April 2019, Creative Commons Attribution-ShareAlike License, This page was last edited on 2 October 2020, at 03:00.
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