He currently lives and works in London. Ori Gersht is a globally renowned artist working in Film, Photography and Immersive Mediums. Gersht meticulously recreated with silk flowers an exact replica of Flemish painter Jan Brueghel's floral paintings from 1606, now in Vienna's Kunsthistorisches Museum. Over the course of his activity, the interests of Ori Gersht have incorporated history and metaphor, history of trauma, and the constant intertwining of metaphysical space into his subject matter. The floral replica is then situated in front of tempered mirrored glass that Gersht blows apart using electrical charges. Gersht asks the question: is the camera the medium that records, or that creates reality? But what is reality: is it the object, the reflection, or the image captured by the photographic lens? From his London studio, artist Ori Gersht describes his practices in analogue and digital photography, filmmaking, and editing, and the environment in which he produces work. This has included an exploration of his own family’s experiences during the Holocaust, a series of post-conflict landscapes in Bosnia and a celebrated trilogy of slow-motion films in which traditional still lives explode on screen. They are both, to use Roland Barthes’s words, ‘here-now’ and ‘there-then,’ ” explains Gersht. Ori Gersht is a globally renowned artist working in Film, Photography and Immersive Mediums. The artist has gained international recognition for his photographic and film works that explore and expose a physical reality within his images that is invisible to the naked eye. On view in the adjacent galleries will be prints from Gersht’s 2014 series On Reflection, as well as a viewing room for the three-channel film from the same series. Ori has exhibited at galleries including the Tate and […] Kohn Gallery will present its first solo exhibition with London-based artist Ori Gersht. “Like the Kyoto gardens, the still life series represents my interest in using reflections and the camera lens to present new or alternate realities. Gersht also discusses his work in terms of truth, materiality, and abstraction, describing his studio as a personal oasis. It’s a slippery enterprise. Gersht approaches this challenge not simply through his choice of imagery, but by pushing the technical limitations of photography, questioning its claim to truth. Gersht captures the destructive event with two high-definition digital cameras placed side by side to capture simultaneously different views of the same event; one focused on the shattering glass and the other on the reflection in the mirror. Ori Gersht uses a digital camera, off-the-shelf software and a high-end printer to make photographs that make you wonder what you are looking at. Throughout his career his work has been concerned with the relationships between history, memory and landscape. On view in the adjacent galleries will be prints and a triptych video installation from the 2014 series, On Reflection. Frequently referencing art history, Gersht’s imagery is uncannily beautiful; the viewer is visually seduced before being confronted with darker and more complex themes, presenting a compulsive tension between beauty and violence. From his London studio, artist Ori Gersht describes his practices in analogue and digital photography, filmmaking, and editing, and the environment in which he produces work. He often adopts a poetic, metaphorical approach to explore the difficulties of visually representing conflict and violent events or histories. Ori Gersht is currently working on a large scale immersive VR project titled Letters and Towers, made in collaboration with Diego Priluski at the Intel volumetric studio in California. He highlights some of his still life works, including Pomegranate and Big Bang, which illuminate the use of particular exposure lengths and pictorial qualities, and which focus on depictions of violence. His work has been concerned with the relationships between history, memory and landscape. The exhibition marks the United States debut of the Floating World series, which the artist began in 2015. Gersht collapses the image and in turn fuses the virtual and material worlds. He highlights some of his still life works, including Pomegranate and Big Bang, which illuminate the use of particular exposure lengths and pictorial qualities, and which focus on depictions of violence. As David Chandler puts it, ‘a dialectic of presence and absence’. By focusing his camera on water reflections and later in post-production inverting his photographs and merging them with each other, Gersht creates new spaces that hover between material and virtual realities. When it works, the uncertainty is sublime. Ori Gersht was born in Tel Aviv in 1967. He often adopts a poetic, metaphorical approach to explore the difficulties of visually representing conflict and violent events or histories. Born in 1967, Tel-Aviv, IsraelLives and works in London, Education1993-95 MA in Photography, Royal College of Arts, London1989-92 BA in Photography, Film & Video, University of Westminster, London, Copyright © 2014-2020 Kohn Gallery All rights reserved, Ori Gersht @ The Museum of Photographic Arts, San Diego. The mirror reflects the Jan Brueghel painting recreation. Photographer and video artist Ori Gersht turns his lens on sites of collective trauma, violence, and loss, examining the powers of time and landscape to preserve and erase history. The viewer becomes lost in the complexities of the reflection and in discerning between what is up or down, reflection or object. Ori has exhibited at galleries including the Tate and V&A in London and the Guggenheim and Museum of Modern Art in the US. His work has been concerned with the relationships between history, memory and landscape. For Gersht, Brueghel's painting and the city of Vienna embrace a sense of exuberant decadence and imperialism – a metaphor he connects to our own time. The mirror, which by nature raises the question of what is real and what is perceived as real, is a key element in this body of work. Early Life Photographer and filmmaker Ori Gersht was born in Tel Aviv, Israel in 1967. The exhibition will feature the artist’s latest body of work, Floating World, a series of photographs that capture water reflections of ancient gardens in Buddhist Zen temples in Kyoto, Japan. In this body of work he goes further, examining how this invisible space can bend and twist to create another view. He often adopts a poetic, metaphorical approach to explore the difficulties of visually representing conflict and violent events or histories. He studied Photography, Film & Video at the University of Westminster, London, before undertaking an MA in Photography at the Royal College of Art in 1993. In the work, Gersht seeks to reflect the natural elements and spiritual character of Kyoto’s Zen gardens, which are both real and metaphysical places. The separation between the landscape and its reflection disappears in the new series allowing the viewer to engage with this new holistic space. Ori Gersht was born in Israel in 1967, but has lived in London for over 30 years. The Prix Pictet aims to harness the power of photography – all genres of photography – to draw global attention to issues of sustainability, especially those concerning the environment.
The Entire Fallout New Vegas Soundtrack Meme,
Luke 5:24 Meaning,
Donkey Kong Barrel Blast Characters,
How Long Do Skinny Syrups Last,
Lenovo Ideapad L340 Gaming Laptop Review,
Types Of Digital Marketing Channels,
Chamberlain Automatic Garage Door Lock,
Night Photoshoot Ideas At Home,