The second method is to use two cardioid or hypercardioid condensers. This mic is not the strongest for vocals, and lacks a bit of warmth in this area, but if you just want to record your acoustic guitar in isolation then the SM81-LC is a top choice. Because of this, most recording engineers will want to track each instrument or vocal part independently when recording a band. You can use a similar setup to the one mentioned above for cardioid condensers, but with figure 8 mics, you’ll get more separation between the vocal and guitar tracks. I do a lot of recording and music production with acoustic musicians. Get 65% Off Mix Essentials Now. Whichever setup you choose, the key is to keep the front of each mic pointed at the source you want to capture, while pointing the back (the “null” of the mic) towards the source you want to reject. This is the way it was done on a lot of old recordings, and if you’re looking to create a vintage feel, using a single mic can be a useful option. Since figure 8 mics tend to have strong null points, you can use the null to your advantage by pointing that part of the mic towards the source you want to reject. Once you have mastered recording a single take, should you think about trying to record multi-tracks of vocals and guitar, maybe against a click track? Anyone who has mixed a song will know that mixing is easier when each track is recorded individually. Maybe invest in a second mic, and experiment with placement to record the guitar and vocals on separate tracks while still playing live …. Check the meter in your recording software while you rehearse. Another interesting option to try is a single mic for the vocals and a mid-side pair for the guitar. However, if the guitar is the only instrument in the mix, the spaced pair can sometimes create an off balance feel to the overall sound. Here are a few options to consider. If you buy an audio interface, and you have an electro-acoustic guitar, then at the same time as recording through the mic, you can also, on a separate track, record the output of the guitar, so try that too. If this is a problem, then an XY or ORTF stereo mic setup will give you a more focused but narrower guitar sound. If you are used to playing live with analog equipment, then pushing the levels is not so bad. Aim for a signal varying between 50-75% of the max. It’s also a good idea to record each mic to its own track in your DAW so you can make micro-adjustments to the timing if necessary to fix the phase alignment of the tracks. So you will have to experiment a little. Discover how to make your kick and bass hit hard by cutting (NOT boosting) the right frequencies! Do not place the microphone too near to the guitar (too low) or your mouth (too high). This is... 2. Small diaphragm condensers will work well for this, as they tend to have good off-axis response, but sometimes a large diaphragm condenser will give you a better sound for vocals. Aim for a mid-point between the two. How to Record Acoustic Guitar and Vocals at the Same Time 1. To cut costs, you could stick to one mic and record the guitar and voice separately. This is where stereo acoustic guitar recording techniques come in handy. (30 – 45 cm). 5 Effective Ways to Record Acoustic Guitar, The Complete Guide to DI Boxes for Recording and Live Performance, 4 Tips for EQ’ing Acoustic Guitar in a Mix, Black Friday is On! Should You Change Guitar Strings for the Studio? Vocal Mic & DI Acoustic Guitar This is by far the easiest acoustic guitar/vocal recording option but it doesn’t produce great sounding guitar tracks - You have been warned! Plus, more counterintuitive ways to get fuller yet controlled low-end in your mix. This means you are pushing the level too hard. Take a singer/songwriter for example. Download this 40-minute workshop by Matthew Weiss, now for FREE! This is by far the easiest acoustic guitar/vocal recording option but it doesn’t produce great sounding guitar tracks - You have been warned! Awesome. Of course, finding the perfect spot is easier said than done, so you should be prepared for some trial and error if you want to use this technique. Please try again. A spaced pair of cardioid pattern condenser mics on the guitar often works well, as you can pan the left and right guitar mics nice and wide while focusing the vocal mic right down the middle. This works fine if you play lead guitar, but for some performers, it presents a major problem. There was an error submitting your subscription. One Mono Mic You can hear his musical work at. DI’ing an acoustic guitar from a built-in guitar pickup produces thin, harsh and compressed sounding parts. The mic positioning with this method will likely change with each person and each song you record, so it will usually take a few attempts to find the perfect position for both mics. Powered by Genesis Pro with the Mai Delight Theme, How To Set Up A USB Microphone on Windows | A Troubleshooting Guide, The Best Recording Equipment for Acoustic Guitar and Vocals, Option 1: Condenser Microphone + Audio Interface, The Best Software For Recording and Mixing Acoustic Guitar and Vocals, Optimal Microphone Placement To Record Guitar and Vocal, detailed review of the Blue Yeti Pro XLR/USB, How To Record Keyboard and Vocals at the Same Time, Which Guitar Software? With a single microphone, you’ll most likely want to position the mic closer to the singer’s mouth to emphasize the vocal performance. How to Mix Acoustic Music — Part 1: Acoustic Guitar, How to Mix Acoustic Guitar with Ambience and Stereo Effects, How to Record Acoustic Guitar: Multi-Mic Techniques, Casey van Wensem is a freelance composer, musician, and writer living in Kelowna, B.C., Canada. Most of their musical life is spent singing and playing the guitar at the same time, but then suddenly you expect them to separate these two activities and give you the same performance?

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