1974: Three-bolt neck plate introduced; white binding and block inlay option for maple fingerboards introduced. The ability to blend the volume of both pickups allows for a wider variety of tones than the Precision Bass can produce. These became narrower eight-polepiece (two per string) pickups by the time production started. This Custom Shop Jazz Bass was a cross between the American Vintage and the American Deluxe series. This list of jazz bassists includes performers of the double bass and since the 1950s, and particularly in the jazz subgenre of jazz fusion which developed in the 1970s, electric bass players. The bass is distinct from the Precision Bass in that its tone is brighter and richer in the midrange and treble with less emphasis on the fundamental harmonic. Stack-knob Jazz basses continued to be produced, however, well into 1962 as parts were used up. Jazz bassist Charles Mingus was also an influential bandleader and composer whose musical interests spanned from bebop to free jazz. Leo Fender himself said so. 1976: Headstock logo again redesigned; serial number moved from neck plate to headstock logo. And in a related thought, sometimes you have to leave home to truly appreciate home. The Highway One Jazz Bass is a moderately priced American-made bass introduced in 2003, featuring a Leo Quan BadAss II bridge with grooved saddles, Posiflex graphite neck support rods, 1970s styling and a Greasebucket tone circuit since 2006. That thinking changed as the decade waned, however, and Leo Fender and his staff turned their attention to a new “deluxe” bass guitar design in 1959. The two pickups are built to be opposite from each other in both magnetic polarity and electrical phase, so that when heard together, hum is cancelled—the humbucking effect. Player Jazz Bass 4 results Filter Filter Filters. A Jazz Bass. Models produced before 2003 came for a period with black Stratocaster control knobs. At first necks with rosewood fretboards received pearloid blocks/binding and maple fretboard necks received black. Fender discontinued these models in 2007. The asymmetrical five-bolt neck plate, along with the smooth contoured heel allow much easier access to the upper registers. Learn more about Fender electric basses. Fender discontinued the five-string version in 2009. Learn more about Fender electric basses. Further, the large metal cavity created by this cover engulfed the treble pickup so as treble volume was increased, it was noticed to be a "microphonic feedback-inducing trap". Various 2- or 3-color sunbursts, Various shades of white, blue, red, green, etc. The most visible and audible evidence of this was that it had two pickups instead of one, giving it a tonal versatility not found in the Precision. Even great bassists who aren’t widely known as Fender players have used the Jazz Bass at one time or another—Paul McCartney is known to have played a left-handed model on The Beatles (the “White Album”), and Yes-man Chris Squire includes one in his arsenal. The other major design departure of the Jazz Bass, and the biggest in terms of its feel, was its neck, which was noticeably more narrow at the nut—a slim 1 7/16” compared to the Precision’s hefty 1 ¾”—and thinner front-to-back. Other notable appointments include a 4-saddle standard bridge with standard open-gear tuning pegs and vintage-style black plastic Jazz Bass … Although it clearly resembled the Precision in basic form, the Jazz Bass looked substantially different in several important ways. During 1965/66 the Jazz Bass received bound rosewood fingerboards with pearloid dot position inlays (which replaced the older "clay"-style of the early 1960s) and oval-shaped tuning machines. The Jazz Bass (or J Bass) is the second model of electric bass created by Leo Fender. “Jazz Bass” was an interesting name choice given that 1958’s Jazzmaster guitar, with which the new bass shared part of its name, did not win over the “serious” jazz musicians it was intended for. That model, the Fender Jazz Bass, was introduced in 1960. And just as the Stratocaster expanded on the Telecaster rather than supplanting it, this new bass would complement the Precision by offering great tonal versatility and a design that went beyond the utilitarian to the realm of the sleekly stylish. The American Deluxe Jazz Bass (available in four-string fretted and fretless, five-string fretted and left-hand versions) featured two Samarium Cobalt Noiseless Jazz Bass pickups, designed by pickup designer Bill Lawrence. 1969: Larger and bolder logo decal replaces traditional headstock logo; headstock strap button removed; paddle tuning keys discontinued; maple fingerboard option with black binding and black block inlays introduced. In true Fender fashion, however, this was an innovation rooted not in form but in function—the sexier look was a by-product of the more practical consideration that the offset waist made the instrument more comfortable to play when seated, as most “serious” players of the time often were. It means that no matter how long the Jazz continues to rule the realm of bass, it’s forever young. Because of this, many bass players who want to be more "forward" in the mix (including smaller bands such as power trios) prefer the Jazz Bass. The sound of the Fender Jazz Bass has been fundamental in the development of signature sounds in certain musical genres, such as funk, disco, reggae, blues, progressive rock, heavy metal and jazz fusion.

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