The bad news is that you can't adjust it with your fingers — you'll need a small screwdriver or pen. The maximum SPL is given as 142dB for one percent distortion (5dB better than the AKG mic). In fact, the response seems smoother than the Rode NT5 through the presence region, and only slightly less full at the bottom end. The mic weighs 390g and the body is painted in a non-reflective satin grey finish, with the top 35mm being a heavy-gauge wire mesh over foam to protect the capsule. All contents copyright © SOS Publications Group and/or its licensors, 1985-2020. summary Hidden away just above the battery compartment inside the mic is another three-position slide switch. The M3 is equally suitable as a vocal microphone, guitar microphone, drum microphone or presenter … Switchable HPF and pads. Mastering Essentials Part 4 - Mastering EQ: Balance, Don’t Match. To be honest, it sounds considerably more expensive than it actually is — a fairly common theme with Rode mics! Neither offer the recording flexibility of the M3 but would be better on stage vocals. There are several established 'jack of all trades' microphones around that will always get the job done in a workmanlike manner. Why Are Some A-B Stereo Arrays Angled Outwards? The battery compartment is clearly marked for correct orientation, and a curved plastic clip holds the battery securely in place when the mic body is screwed back on. The sensitivity is a little low, at 6.3mV/Pa, compared with most studio capacitor mics (although fractionally higher than the C1000S), but I doubt it will cause any problems in typical close-miking applications in project and home studios, or on stage. Rode M3 Versatile End-Address Condenser Microphone The RØDE M3 is a highly versatile end-address condenser microphone, designed to be completely at home in the studio, on stage or on location. When the switch is moved out of this lowest position, the LED flashes briefly to indicate good battery condition (if in use), or comes on permanently if the battery voltage is getting low. I ran the mic on phantom, from an installed battery, and with phantom when the battery was installed... and it worked perfectly on each occasion. On acoustic instruments the M3 works very well indeed, turning in nice results on acoustic guitars and clarinet, both tracks needing almost nothing in the way of EQ at the mixing stage, which I took as a good sign. I am sure that I will purchase another M3 in the future (and other Rode … The frequency response is given as 40Hz to 20kHz, and the accompanying frequency response chart suggests a gentle roll-off at the bottom, roughly 3dB down at 100Hz and -10dB by 40Hz. The most obvious contender, especially given the dual powering facility, is the AKG C1000S. The polar pattern seemed fairly tight and well controlled across most of the frequency range — a good result for a mic at this price — and that should allow use as a coincident or spaced stereo pair, perhaps above drums or on pianos. Q. With the 20dB pad switched in I had no problems with overload distortion when mounted right above the snare, and the sound was full-bodied with plenty of snare crack and detail. Great care has been taken to ensure accuracy in the preparation of this article but neither Sound On Sound Limited nor the publishers can be held responsible for its contents. Mastering Essentials Part 3 - How loud should I master? It sounds clean, crisp, full-bodied and smooth, and can cope with pretty much anything a project studio is likely to require, from vocals to percussion to acoustic guitars to Marshall guitar amps. And it would certainly be an ideal first microphone for anyone setting up a new project studio on a tight budget, but with the need to record a wide range of sources in reasonable quality. Rode M3 for Vocals? A well-engineered cardioid electret microphone that is capable of handling just about anything, with a remarkable degree of competence for the price. It will tolerate phantom power between 24 and 48V quite happily, and the battery is not used if phantom power is detected on the connecting cable. The mic sounds full and smooth when used for close vocals, with a modest airy lift at the high end. All rights reserved. Over the last decade or so Rode have rewritten the book when it comes to the cost and performance of studio microphones, and there can be few project studios without at least one Rode mic in their collection. It is equally suitable as an instrument microphone for guitars, drums and percussion or even vocals. The M3 is supplied in a surprisingly large, but sturdy, plastic carry case, complete with a substantial stand clip adaptor and a foam windshield — and a 10-year guarantee! I couldn't test battery life as such, but I inserted a partly used PP3 and it was still going happily after being left on for the best part of a week. This is clearly a mic designed to withstand a lifetime of abuse. I've used this for vocals, and acoustic instruments - especially guitar - at church, playing out at gigs, and in my home studio. This is an impressively flat and extended response, especially compared with AKG's C1000S (probably the closest comparable mic), or any similarly-priced moving coil (dynamic) microphone. The contents of this article are subject to worldwide copyright protection and reproduction in whole or part, whether mechanical or electronic, is expressly forbidden without the prior written consent of the Publishers. Australian company Rode have a more-bang-for-the-buck reputation of turning out quality microphones at affordable prices. Re: The All-New Behringer Keyboards 'n' Stuff Thread, The All-New Behringer Keyboards 'n' Stuff Thread. Rode have been in the electronics business in Australia since the late 1960s, but the company became better known around the world after 1998, when they started producing a cost-effective range of microphones. Anyone knows of a comprehensive guide for Midas M32r Li... 24 hr Omnisphere pack deal + FabFilter, Best Service, R... Extended frequency response with smooth extremes. I have used SM58's before but with my … The technical specifications are good for this kind of mic at this kind of price. The back-electret capsule doesn't require power, but the internal impedance converter can be driven from standard phantom power or an internal 9V PP3 battery. A place where learning isn't about monotone lectures and long essays. The specifications claim more than 200 hours of use with an alkaline battery, which would equate to roughly six months of gigging twice a week. First Look: Pro Tools | Carbon. Web site designed & maintained by PB Associates & SOS. The RØDE M3 is a highly versatile 1/2' condenser microphone powered by 9V battery or phantom power. cons. Their latest, the M3 (a small-diaphragm cardioid response, end-fire condenser), … This neat little mic is incredibly versatile - and it sounds a lot more expensive than it actually is. The M3 is an obvious contender for drum overheads, given the extended high end, and it does indeed work very well, producing smooth, sizzling cymbals without the aggressive edge of some mics. Battery and phantom powering. However, I wouldn't recommend using M3s for distant stereo miking, as I think the self-noise and low output would result in a relatively noisy recording. However, the length of the mic makes it awkward to install above the snare, and it is almost impossible to aim the rear null towards the hi-hats. pros. Sturdy stand mount. It's a case of horses for courses, and the M3 is exceptionally good for the price, easily matching or exceeding the specs and performance of its nearest competitors. The M3 feels robust, and the supplied stand adaptor looks unbreakable. It is substantially flat between 100Hz and 4kHz, above which there are a couple of mild 2dB peaks before a smooth high-end roll-off to -3dB at 20kHz. OK, so it won't cut through on stage like a Shure SM58 will (it doesn't have that classic projection) and unless the filter is switched in it can sound rather too full at times, but in the studio that smoothness is a bonus. The M3 should be able to cope with close vocals, electric instrument amps, and even drum and overhead duties, without cracking up. Welcome to RØDE University! The views expressed are those of the contributors and not necessarily those of the publishers. Hi all, I'm gonna be recording an album shortly in my "on a shoestring" home studio, and need to get a mic for vocals. These are useful facilities, but it is madness not to have any markings at all. In comparison, the M3 sounds richer and more extended at the bottom, and less peaky and more airy at the top: it actually sounds like a much more expensive mic.

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