The EV was somewhere right in between the two. Nobody mentioned the Microtech Gefell M930 which is a great big sounding small mic. In my opinion, the best floor tom mic is a good overhead! Be the first to hear about our new products, workshops, events, contests, offers and more. The 6066 mics sport a completely redesigned, lightweight, one-size-fits-all headset that attaches over the ears for maximum comfort. View Larger Image; Note: when placing drum mics, it’s important to remember that sticks and hands and cymbals will be falling very hard near them, so make sure your mics aren’t in the way of the player or a rogue ride cymbal. Just a friendly reminder that political discussion, (including "offhand" and 'sideways' commenting) is. Sounds amazing! Hi! One thing that I really noticed between them were the differences in the bleed of the rest of the kit. If needed, I'll use close mics to fill in some low-mid umph and texture. Probablly why it's also a great guitar amp mic, not fighting the bass. The new heads on the toms helped. Guidelines for miking snare tom-toms with DPA Microphones. For a fatter sound, making use of the proximity effect, a 4011C Cardioid Microphone, Compact or 2011C Twin Diaphragm Cardioid Microphone, Compact with even higher isolation is a good choice. Kind of tinny, then with some low end there. One of the things I was really curios to hear was how they were compared to each other on floor tom. It's gooood. If you’re in the market for a good floor tom mic, the choices below are all viable options. In general, the best live tom mics and the best studio tom mics are the same thing, which is one headache less for those who need microphones to do both. The SM7b on the other hand sounded like the rest of the kit but quieter, VERY natural (especially the snare). I have no idea, I have been using a 421 since 1995. been using the new Bock ifet on an 18 floor.. The bleed isn't lovely, but the main sound it's picking up is just so god damn nice and the bleed isn't invasive enough for it to be an issue. Here is an MP3. I haven't used the RE20 on floor tom in a session yet but I'd guess it would be right in the middle with that too. Hey there! Yep, the D112 is a great little one trick pony. In my opinion, the best floor tom mic is a good overhead! I was thinking about buying a Sennheiser E602/E902. This was on a hard-hitting southern blues rock band, and they're the best drum sounds I've ever gotten. Now I would like to get dynamic mics to record the drums. Well for clip on's I have been having great luck with the Avantone Atom- very large sound ready to go with no processing. When you buy products through links across our site, we may earn an affiliate commission. Someone said in this thread that it was junk... maybe on a lead vocal... how could they (sob) say that about (sobbing harder) the D112? the lowend out of what the "better" mic captured. My friend Joe Zook turned me onto the RE 20 on the floor tom, which for some reason I'd never heard or thought of. my batter head mic on my floor tom has been useful as a spot ride mic for me many times. Any other thoughts? I recently used the BLUE Dragonfly Deluxe's on some toms with pretty decent results. Pictures Of Mic'ed Up Drum Kits In The Studio. ). If you like plenty of bottom on the floor tom you should really try Moonmics. Clips, Clamps and Mounts. The 421 and the RE20 sounded pretty bad, honestly. However on the last session I had here we ended up using the 421 on the floor (and rack). I'd probably prefer the SM7b on music that was a bit softer or less filled out, but the 421 worked beautifully on hard-hitting full mixes. I got the SM57 for snare drum and D112 for base drum and I was thinking about getting 2 Sennheiser E604 for toms. The 421 sounded like how I would process the tom in a rock mix - good high end smack, good low end thump without ringing sub frequencies or boxy mid-range. If an overdub, U195 I am starting to buy microphones, I got the basics to record vocals, guitar and bass. If I were to get it, would either Oktava MK012/MC012 are my faves for batter head. In my opinion, the best floor tom mic is a good overhead! However, navigating which brands and models are best for picking up the boomy, low to mid-range sound of a tom drum is a tough task, made easier by our listing of the 4 top options for toms. Mics designed for snares sometimes miss the rich lower frequencies, making the sound thin and hollow; mics meant for kick drums can have the opposite problem. If an overdub, U195 would be my first grab. A drum kit can produce very high peak sound levels. Please review our Cookie Policy, which can be found here. This article breaks down mic placement to the individual drum pieces. I did a shootout recently, and I found that they all sound really great. Do you have any sound clips of the moonmic on kick? Sweet! Rack tom and floor tom drum eq recipes. Then , when listening to the floor tom in solo, it sounds great, afterwards in the mix, folks e.q. Probablly because some mics on floor toms capture the lowend better than a 57. The 2028 is designed for unique live stage performances.
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